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PAINT THIS WITH JERRY YARNELL

Monday, April 22nd

6:30am on
Runtime: 00:29:00
Widescreen

Artful Refuge, Part 4

In this final session, Jerry shows his viewers how to block in the large tree on the left side and finish it with the #4 script brush. He then shows how to apply the final details and highlights on the grassy areas. He now shows how to properly paint in the old crooked fence posts and wires. He now finishes by adding final miscellaneous highlights to the tree trunks, fence, and grasses as well as add scattered individual leaves to the large tree.

12:30pm on
Runtime: 00:29:00
Widescreen

Artful Refuge, Part 4

In this final session, Jerry shows his viewers how to block in the large tree on the left side and finish it with the #4 script brush. He then shows how to apply the final details and highlights on the grassy areas. He now shows how to properly paint in the old crooked fence posts and wires. He now finishes by adding final miscellaneous highlights to the tree trunks, fence, and grasses as well as add scattered individual leaves to the large tree.

Friday, April 26th

6:30am on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 1

Acrylic on 18x24 Stretched Canvas. In this opening episode, Jerry discusses with his viewers the size, format, and tint of the canvas. He then discusses his reference material and the arrangement of the composition. He now shows how to paint the sky and background hills. Then he shows how to paint in the road and meadows on the sides of the road. He now shows how to paint in the very background Cypress trees. Then finishes by painting in the large Cypress trees behind the gate wall.

12:30pm on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 1

Acrylic on 18x24 Stretched Canvas. In this opening episode, Jerry discusses with his viewers the size, format, and tint of the canvas. He then discusses his reference material and the arrangement of the composition. He now shows how to paint the sky and background hills. Then he shows how to paint in the road and meadows on the sides of the road. He now shows how to paint in the very background Cypress trees. Then finishes by painting in the large Cypress trees behind the gate wall.

Monday, April 29th

6:30am on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 2

In this segment, Jerry shows his viewers how to underpaint the foreground stone pathway using the #6 bristle brush with loose, broad strokes. Now he shows his viewers how to paint in the right side of the wall, pillar, and side of building. Now he shows how to block in the left side of the wall, pillar, and side of building. He explains the importance of using thick paint with lots of brush strokes to create texture.

12:30pm on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 2

In this segment, Jerry shows his viewers how to underpaint the foreground stone pathway using the #6 bristle brush with loose, broad strokes. Now he shows his viewers how to paint in the right side of the wall, pillar, and side of building. Now he shows how to block in the left side of the wall, pillar, and side of building. He explains the importance of using thick paint with lots of brush strokes to create texture.

Friday, May 3rd

6:30am on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 3

In this episode, Jerry begins by explaining the process of creating an elliptical effect to help the stones appear flat. Now he shows how to use the #4 chisel-edge brush to paint the shapes of all the elliptical stones. He now shows how to compose and paint in the flower pots. Now he shows how to take the #6 bristle brush to underpaint the foliage for the flowers. He finishes by using the #2 chisel-edge brush to add the leaves and miscellaneous highlights by applying phase one of the details and highlights to the trunk and limbs.

12:30pm on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 3

In this episode, Jerry begins by explaining the process of creating an elliptical effect to help the stones appear flat. Now he shows how to use the #4 chisel-edge brush to paint the shapes of all the elliptical stones. He now shows how to compose and paint in the flower pots. Now he shows how to take the #6 bristle brush to underpaint the foliage for the flowers. He finishes by using the #2 chisel-edge brush to add the leaves and miscellaneous highlights by applying phase one of the details and highlights to the trunk and limbs.

Monday, May 6th

6:30am on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 4

In this episode, Jerry shows his viewers how to continue adding the foliage and vines for the flowers. Then begins the process of adding the flowers in using different brushes, techniques, colors, and textures. Now he uses the #4 script brush to paint the tree limbs in the upper-left corner. He then finishes by showing how to add miscellaneous details and highlights on the walls and building. Then begins adding in the elderly lady.

12:30pm on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 4

In this episode, Jerry shows his viewers how to continue adding the foliage and vines for the flowers. Then begins the process of adding the flowers in using different brushes, techniques, colors, and textures. Now he uses the #4 script brush to paint the tree limbs in the upper-left corner. He then finishes by showing how to add miscellaneous details and highlights on the walls and building. Then begins adding in the elderly lady.

Friday, May 10th

6:30am on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 5

In this final segment, Jerry takes his viewers through the process of painting the final details and highlights on the elderly lady. He then shows how to add the details to the buildings and wall. He then shows how to highlight the trees and foliage. Now he finishes by painting in the small buildings in the back of the meadows and explains how to use your own artistic license to finish up as you like.

12:30pm on
Runtime: 00:29:00
Widescreen

Back from the Garden, Part 5

In this final segment, Jerry takes his viewers through the process of painting the final details and highlights on the elderly lady. He then shows how to add the details to the buildings and wall. He then shows how to highlight the trees and foliage. Now he finishes by painting in the small buildings in the back of the meadows and explains how to use your own artistic license to finish up as you like.

Monday, May 13th

6:30am on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 1

Acrylic Medium on 18x24 stretched canvas. In this opening segment, Jerry explains to his viewers the importance of painting what you feel and/or what makes you feel good. Now he shows how to a paint the sky with the hake brush. Then he begins showing how to underpaint the water. He now shows how to underpaint the prairie grasses. Now he shows how to paint the muddy shoreline. He finishes by painting in the distant trees.

12:30pm on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 1

Acrylic Medium on 18x24 stretched canvas. In this opening segment, Jerry explains to his viewers the importance of painting what you feel and/or what makes you feel good. Now he shows how to a paint the sky with the hake brush. Then he begins showing how to underpaint the water. He now shows how to underpaint the prairie grasses. Now he shows how to paint the muddy shoreline. He finishes by painting in the distant trees.

Friday, May 17th

6:30am on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 2

In this session, Jerry begins by highlighting the prairie grasses. Then shows how to accent the top of the meadow. Now he shows how to highlight the water to make it appear more wet. He then begins showing how to underpaint the distant barn. Then shows how to detail the barn. He finishes by explaining how to layout and paint the row of fence posts receding into the distance. And finally, a word about painting in the cattle in the next episode.

12:30pm on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 2

In this session, Jerry begins by highlighting the prairie grasses. Then shows how to accent the top of the meadow. Now he shows how to highlight the water to make it appear more wet. He then begins showing how to underpaint the distant barn. Then shows how to detail the barn. He finishes by explaining how to layout and paint the row of fence posts receding into the distance. And finally, a word about painting in the cattle in the next episode.

Monday, May 20th

6:30am on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 3

In this episode, Jerry explains the process of sketching in the cows and how to compose them properly. Now he explains the color scheme of the cows and how to mix the proper formulas for each section of the cow. He finishes by showing which brushes work best for underpainting the main body of brown tones then finishes by underpainting the white areas with the cool gray tones.

12:30pm on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 3

In this episode, Jerry explains the process of sketching in the cows and how to compose them properly. Now he explains the color scheme of the cows and how to mix the proper formulas for each section of the cow. He finishes by showing which brushes work best for underpainting the main body of brown tones then finishes by underpainting the white areas with the cool gray tones.

Friday, May 24th

6:30am on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 4

In the final segment of this series, Jerry shows his viewers how to use the correct brush to paint the highlights and details on the main large brown body parts. He then shows how to detail and highlight the white areas of the cows - specifically the face so they have good three-dimensional form. He finishes by explaining how to finalize the reflections in the water and the weeds, and lastly, he challenges his viewers to use artistic license to finish.

12:30pm on
Runtime: 00:29:00
Widescreen

Taking A Dip, Part 4

In the final segment of this series, Jerry shows his viewers how to use the correct brush to paint the highlights and details on the main large brown body parts. He then shows how to detail and highlight the white areas of the cows - specifically the face so they have good three-dimensional form. He finishes by explaining how to finalize the reflections in the water and the weeds, and lastly, he challenges his viewers to use artistic license to finish.

Monday, May 27th

6:30am on
Runtime: 00:29:00
Widescreen

Wind and Water, Part 1 NEW

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry explains his canvas preparation. Then he explains how to use your own memory to design a complete composition from scratch without using any photographs to copy from. He now explains in great detail how to arrange all the components of the composition using the technical elements of composition. He then uses soft vine charcoal to make a final rough sketch. He finishes this episode by blocking in phase one of the sunset/stormy sky.

12:30pm on
Runtime: 00:29:00
Widescreen

Wind and Water, Part 1 NEW

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry explains his canvas preparation. Then he explains how to use your own memory to design a complete composition from scratch without using any photographs to copy from. He now explains in great detail how to arrange all the components of the composition using the technical elements of composition. He then uses soft vine charcoal to make a final rough sketch. He finishes this episode by blocking in phase one of the sunset/stormy sky.

Friday, May 31st

6:30am on
Runtime: 00:29:00
Widescreen

Wind and Water, Part 2 NEW

In episode 2, Jerry continues working on the sky. Then he begins painting in the first distant layers of background hills, bushes, etc. Now he shows how to underpaint the middle background, middle ground, and foreground areas of the prairie. He next shows how to begin highlighting and detailing some of these areas by adding rock, pebbles, brush, etc. He finishes this episode by using his iPhone to review the original sketch and begins re-sketching some of those items.

12:30pm on
Runtime: 00:29:00
Widescreen

Wind and Water, Part 2 NEW

In episode 2, Jerry continues working on the sky. Then he begins painting in the first distant layers of background hills, bushes, etc. Now he shows how to underpaint the middle background, middle ground, and foreground areas of the prairie. He next shows how to begin highlighting and detailing some of these areas by adding rock, pebbles, brush, etc. He finishes this episode by using his iPhone to review the original sketch and begins re-sketching some of those items.