In the session, Jerry shows his viewers how to use various sizes of the synthetic chisel-edge brushes to finish underpainting the light and shadow areas of the old house. Then he shows how to paint in the windows and doors. Then he begins showing how to clean up the house and begin painting in the shingles of the roof. Then he finishes by showing how to paint in the cast shadow under the overhangs and porch.

In this episode Jerry shows his viewers how to begin the detailing and highlighting process of the walls and windows. Then he shows how to add the highlights to the edges of the roof, posts, and other areas of the house. Then he takes his script brush and begins adding cracks and miscellaneous details to the wood. He then finishes by explaining how to begin adding the bushes and vines around and on the house.

In this episode Jerry shows his viewers how to begin blocking in all of the foliage in front of the house and foreground. Then he shows how to add the vines hanging down from the roof edges. Then he shows how to detail the windows and other areas of the house like the chimney, window panes, etc. He finishes by showing how to highlight the foliage and add the first flowers.

In the final episode, Jerry shows his viewers the last few details and highlights using the script brush for the tall foreground weeds and the small sable brushes to dab on pure color for the final flowers at the base of the house and for applying the brighter highlights on the house and pathway.

Acrylic painting on15x30 stretched canvas. In this episode, Jerry discusses the reference material he will be using. Then describes the type of canvas and tint he will be using. Then he takes the soft vine charcoal and makes a very rough sketch of the main components of the composition. Now he shows how to paint the semi-stormy sky and explains the significance of the color scheme and color mixes he will be using. He finishes by painting in the first layers of distant mountains and adding first minor highlights.

In the second episode, Jerry continues underpainting the mountains. Then he shows his viewers how to make the highlights on the mountains brighter and he begins adding the pine trees at the base of the mountains - continuing up into the crevices of the rock formations. Next Jerry shows how to underpaint the water. Now he shows how to underpaint the meadow and then finishes up by showing how to begin highlighting the meadow.

In the third episode, Jerry shows his viewers how to finish highlighting the meadows. Then shows how to finish highlighting the water. Now Jerry shows where to paint in the large pine trees on each side of the painting - as these become eye-stoppers. Now Jerry finishes this episode with a rough charcoal sketch of the buffalo and discussion of their placement and proportions.

In the final episode in this series, Jerry explains to his viewers the correct process of underpainting the buffalo with darker tones using quick, broad-brush strokes Then he shows how to begin adding the form highlights to create dimension and finishes by showing how to detail and add accent highlights. He completes this episode showing how to seat the buffalo with the grass and cast shadows.

Acrylic painting, 15x30 Horizontal. In this opening segment, Jerry explains to his viewers the different types of canvases for blending large skyscapes. Then explains the composition and discusses the reference material he will be using. Now he explains which brushes are more effective for blending these types of clouds. Next he shows the color mixtures he will be using. Then finishes by underpainting the horizon colors, the upper-sky colors, and minor cloud formations.

In this segment, Jerry shows how to begin the first phase of blocking in the large mass of clouds. He begins by explaining the use of different bristle brushes, which sizes, which part of the brush to use, and how much pressure to use. Then shows which mixtures work best for this phase. Now he begins painting in the larger masses showing how to build the different layers of cloud formations and create various values of colors.

In episode 3, Jerry begins the process of adding additional cloud formations as well as re-working existing formations to create very interesting pockets of negative space. Now he begins adding the first phases of sunlight and silver linings to define the location of the light source. He finishes by showing how to bring up the horizon color to make a stronger glow.

In this final episode, Jerry shows his viewers how to begin adding the layers of light to form the larger masses of clouds and to finalize all the shapes of each overlapping cloud formation. He now shows how to dry brush in the sunrays and finalizes highlights on the edges of the clouds. He then finishes up by painting in the silhouette of trees in the lower right corner to help balance the composition and create depth.

Acrylic Painting on12x24 stretched canvas. In this opening segment, Jerry discusses the history of the milky stork and the color scheme. He then discusses the arrangement of the composition and placement of the birds. Then he shows how to use the hake brush to paint in the background using very long vertical strokes. He explains how to properly blend the tones to create a soft blended effect. He finishes by switching to the #10 bristle brush and shows how to mottle the foreground muddy area.

In the session, Jerry shows his viewers how to continue painting in the foreground details of the muddy areas using a variety of brushes and a toothbrush. Then he shows how to underpaint the small stork in the background. Then he shows how to paint in the clumps of grass and taller weeds and twigs. He then finishes by painting in the small highlights along the muddy shoreline.

In this episode Jerry takes his viewers through the process of how to block in the larger birds. First by underpainting the main body masses with a deep charcoal gray. Then underpaints the black areas underneath the base of the wings. Now he blocks in the beaks with a deep burnt orange tone. He finishes by underpainting the legs with the deep black mixture.

In the final episode, Jerry shows his viewers how to begin the process of building layers of soft lighter gray tones to start layering the feather patterns. Gradually increasing the amount of white until reaching the bright white light for highlighting the upper structure of the bodies. He shows how to detail and brighten the beaks, legs, eyes, and miscellaneous feathers.

Acrylic painting on 18x24 stretched canvas. In this opening segment, Jerry discusses the type of canvas and underpainting tint. He then discusses the reference material and how to create a composite composition using photos, sketches, and memory. Now he shows how to paint in the sky and first layers of distant hills to create depth. Then he discusses the value system and finishes by painting in the middle ground, hills, meadows, and buildings.

In this episode, Jerry finishes painting in all areas behind the wall. Then he shows how to underpaint the road with the proper value changes. Now he sketches the outer shape of the wall and arch. Next he shows how to begin underpainting the large areas of the stucco wall. Then he paints in the dimensional shadow of the large and small arches.