When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
When housing on the lowest rung of the American dream is being devoured by the wealthiest of the wealthy, whose dream are we serving? A DECENT HOME addresses urgent issues of class and economic (im) mobility through the lives of mobile home park residents who can?t afford housing anywhere else.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
In California's Central Valley, hundreds of Latinx youth miss months of school annually, because they live with their families in one of the state?s farmworker housing centers. These subsidized apartments require families to move out each winter and relocate at least 50 miles away before being allowed to return in the spring. These cycles of displacement come at a high cost to families? futures.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
On May 5th, 1991, people took to the streets of Washington D.C.'s Mount Pleasant neighborhood to protest the police shooting of a young Salvadoran man, Daniel Gomez. Through testimony, song, poetry, and street theater, LA MANPLESA: An Uprising Remembered weaves together the collective memory of one of D.C.'s first barrios and dives into the roots of the '91 rebellion.
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