To make splashing water appear, you must show what's around it. Kath discusses the dark colors that make the light colors work, how the water needs very little pigment, and how to make the splash at the bottom.
To make splashing water appear, you must show what's around it. Kath discusses the dark colors that make the light colors work, how the water needs very little pigment, and how to make the splash at the bottom.
For extreme portability, Kath demonstrates how to get your equipment out and back without putting anything down, how to handle human intrusion, and how to clean the paints, the set and the lid.
For extreme portability, Kath demonstrates how to get your equipment out and back without putting anything down, how to handle human intrusion, and how to clean the paints, the set and the lid.
Both trees and shrubs are made of light and dark areas, not just leaves. Take the time to observe. Where are the darks? What colors are they not? Kath demonstrates how to make them identifiable from one another.
Both trees and shrubs are made of light and dark areas, not just leaves. Take the time to observe. Where are the darks? What colors are they not? Kath demonstrates how to make them identifiable from one another.
Clouds are made of water vapor and are perfect for watercolor. Pen lines don't make clouds, but a 'borrow pit' does. Kath explains a major design element that can be manipulated.
Clouds are made of water vapor and are perfect for watercolor. Pen lines don't make clouds, but a 'borrow pit' does. Kath explains a major design element that can be manipulated.
Kath explains and demonstrates how to control the lights and darks of the water-soluble line, and when and how to add water to get the results you want.
Kath explains and demonstrates how to control the lights and darks of the water-soluble line, and when and how to add water to get the results you want.
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