Kath illustrates the change of perspective if your eye level changes. Since the goal is to sketch and not create an architectural photograph, free hand is adequate without a ruler.

Kath plays with the freedom to exaggerate. See her work with unlimited color and distortion, and see the difference a frame makes in presentation and your self-evaluation of your finished sketch.

Sketching people in the distance is incredibly easy. Kath demonstrates how to make a 'good one' stand out in a crowd. When using small size paper there is no need for perfection of detail such as hands, ears and facial features, and even faces. Also, a conversation on how to get people in public to willingly 'pose' for you.

Kath herself imitates what a person up close can look like when trying to sketch them. She discusses the importance of props and what the person is doing, how you can see the proportions, and where and how to begin.

This episode's sketch is done in a parking lot outside, showing how you move the elements to be used into a pleasing design, emphasizing what you want instead of accepting it as the camera would.

This demonstration illustrates is the major use for Pocket Sketching, furthering the reason equipment is compact, portable, with no clean up. It can be used wherever you go, even outside next to a cactus!

To make splashing water appear, you must show what's around it. Kath discusses the dark colors that make the light colors work, how the water needs very little pigment, and how to make the splash at the bottom.

For extreme portability, Kath demonstrates how to get your equipment out and back without putting anything down, how to handle human intrusion, and how to clean the paints, the set and the lid.

Both trees and shrubs are made of light and dark areas, not just leaves. Take the time to observe. Where are the darks? What colors are they not? Kath demonstrates how to make them identifiable from one another.

Clouds are made of water vapor and are perfect for watercolor. Pen lines don't make clouds, but a 'borrow pit' does. Kath explains a major design element that can be manipulated.

Kath explains and demonstrates how to control the lights and darks of the water-soluble line, and when and how to add water to get the results you want.