Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew hits the ocean to witness a state-of the art ship-safety program for native youths, then sees how indigenous "controlled burns" can stop forest fires, before visiting Niagara Falls to reveal its vital link to indigenous folks.

Drew hits the ocean to witness a state-of the art ship-safety program for native youths, then sees how indigenous "controlled burns" can stop forest fires, before visiting Niagara Falls to reveal its vital link to indigenous folks.

Drew hits the ocean to witness a state-of the art ship-safety program for native youths, then sees how indigenous "controlled burns" can stop forest fires, before visiting Niagara Falls to reveal its vital link to indigenous folks.

Drew reveals how, for centuries, gender and sexuality has been viewed very differently by native people by taking part in a drag show, meets two talented queer street performers, and visits an aspiring political force for trans-rights.

Drew reveals how, for centuries, gender and sexuality has been viewed very differently by native people by taking part in a drag show, meets two talented queer street performers, and visits an aspiring political force for trans-rights.

Drew reveals how, for centuries, gender and sexuality has been viewed very differently by native people by taking part in a drag show, meets two talented queer street performers, and visits an aspiring political force for trans-rights.

Drew reveals how, for centuries, gender and sexuality has been viewed very differently by native people by taking part in a drag show, meets two talented queer street performers, and visits an aspiring political force for trans-rights.

Drew visits the dinosaur-bone filled Hoodoos of Alberta, meets a Sleeping Giant in Thunder Bay, heads to the haunted Manitou Islands, then witnesses huge "Thunderbird Eggs" on Lake Huron, as he uncovers four incredible native legends.

Drew visits the dinosaur-bone filled Hoodoos of Alberta, meets a Sleeping Giant in Thunder Bay, heads to the haunted Manitou Islands, then witnesses huge "Thunderbird Eggs" on Lake Huron, as he uncovers four incredible native legends.

Drew visits the dinosaur-bone filled Hoodoos of Alberta, meets a Sleeping Giant in Thunder Bay, heads to the haunted Manitou Islands, then witnesses huge "Thunderbird Eggs" on Lake Huron, as he uncovers four incredible native legends.

Drew visits the dinosaur-bone filled Hoodoos of Alberta, meets a Sleeping Giant in Thunder Bay, heads to the haunted Manitou Islands, then witnesses huge "Thunderbird Eggs" on Lake Huron, as he uncovers four incredible native legends.

Drew meets an indigenous "Chocolate Mould" artist, witnesses 1400 Buffalo Heads on Toronto's lakeshore (one of the most incredible street art installations ever), and sees how losing one's native roots can inspire beautiful pop-art.

Drew meets an indigenous "Chocolate Mould" artist, witnesses 1400 Buffalo Heads on Toronto's lakeshore (one of the most incredible street art installations ever), and sees how losing one's native roots can inspire beautiful pop-art.

Drew meets an indigenous "Chocolate Mould" artist, witnesses 1400 Buffalo Heads on Toronto's lakeshore (one of the most incredible street art installations ever), and sees how losing one's native roots can inspire beautiful pop-art.

Drew meets an indigenous "Chocolate Mould" artist, witnesses 1400 Buffalo Heads on Toronto's lakeshore (one of the most incredible street art installations ever), and sees how losing one's native roots can inspire beautiful pop-art.