Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

Drew reveals an amazing indigenous-survivalist-past when travels to the Canadian Rockies. There he learns live with no tools or shelter, and how to throw the deadly Central American weapon called the "atlatl" spear. Then he visits an ancient tribe still salmon net-fishing off the cliffs of a treacherous Washington State river.

Drew reveals an amazing indigenous-survivalist-past when travels to the Canadian Rockies. There he learns live with no tools or shelter, and how to throw the deadly Central American weapon called the "atlatl" spear. Then he visits an ancient tribe still salmon net-fishing off the cliffs of a treacherous Washington State river.

Drew reveals an amazing indigenous-survivalist-past when travels to the Canadian Rockies. There he learns live with no tools or shelter, and how to throw the deadly Central American weapon called the "atlatl" spear. Then he visits an ancient tribe still salmon net-fishing off the cliffs of a treacherous Washington State river.

Drew reveals an amazing indigenous-survivalist-past when travels to the Canadian Rockies. There he learns live with no tools or shelter, and how to throw the deadly Central American weapon called the "atlatl" spear. Then he visits an ancient tribe still salmon net-fishing off the cliffs of a treacherous Washington State river.

From the stage to the written page to the traditional campfire, Drew explores the role indigenous storytelling plays in myth-making, theater, and in keeping native culture alive and well.

From the stage to the written page to the traditional campfire, Drew explores the role indigenous storytelling plays in myth-making, theater, and in keeping native culture alive and well.

From the stage to the written page to the traditional campfire, Drew explores the role indigenous storytelling plays in myth-making, theater, and in keeping native culture alive and well.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew goes on quest to learn about how Native people are changing the face of sport. He explores a unique northern trapper festival, gets beaten soundly in an ancient Cree martial art, and then hits the pavement with an Apache skateboard team in Arizona.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew gazes up at the stars above, and explores the petroglyphs and secret ruins all around us, as he reveals how indigenous peoples from New Mexico to the Canadian wilderness have understood astronomy for centuries.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew paddles into deep waters as he explores how wild rice is harvested by canoe, how birchbark canoes are constructed the old-fashioned way, and why this vessel was a sacred and necessary invention of indigenous peoples.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew meets with two Hollywood indigenous stuntmen in Alberta, hits the pro wrestling ring with some very wild characters, and straps on the gloves and hits the mat with a native Muay Thai champ.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew takes a snapshot of how indigenous peoples are uniquely framing the world with their cameras by meeting two aspiring filmmakers, a stunningly talented Inuit photographer, and goes all-in as "the actor" in an urban crime comedy.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.

Drew travels to Canada's largest urban woodlot to meet "Sawmill Sid", a carver transforming the urban landscape, then he visits an Inuit artist who is bringing the North south, lastly he meets a statue-maker who casts his own bronze.