Drew uncovers how First Nations artists are pushing the boundaries of pop culture when he meets up with professional zombies, axe throwing and legend-morphing film directors, and native video games designers.

Drew uncovers how First Nations artists are pushing the boundaries of pop culture when he meets up with professional zombies, axe throwing and legend-morphing film directors, and native video games designers.

Bannock: native treat, colonialism, or both? From traditional farming to award-winning native wineries and food trucks, Drew is dining all-indigenous.

Bannock: native treat, colonialism, or both? From traditional farming to award-winning native wineries and food trucks, Drew is dining all-indigenous.

Bannock: native treat, colonialism, or both? From traditional farming to award-winning native wineries and food trucks, Drew is dining all-indigenous.

Since the dawn of time the buckskin drum has been the heartbeat of indigenous music. Drew finds out why by creating some "beats" with a native Hip Hop DJ, then meets a genre-bending Metis jazz star, a symphony percussionist, and a legendary First Nations rocker and Bluesman.

Since the dawn of time the buckskin drum has been the heartbeat of indigenous music. Drew finds out why by creating some "beats" with a native Hip Hop DJ, then meets a genre-bending Metis jazz star, a symphony percussionist, and a legendary First Nations rocker and Bluesman.

Since the dawn of time the buckskin drum has been the heartbeat of indigenous music. Drew finds out why by creating some "beats" with a native Hip Hop DJ, then meets a genre-bending Metis jazz star, a symphony percussionist, and a legendary First Nations rocker and Bluesman.

Since the dawn of time the buckskin drum has been the heartbeat of indigenous music. Drew finds out why by creating some "beats" with a native Hip Hop DJ, then meets a genre-bending Metis jazz star, a symphony percussionist, and a legendary First Nations rocker and Bluesman.

Drew Hayden Taylor brushes up his fashion skills as he jumps into the world of indigenous fashion with a series of the hottest young designers, as well as a one-of-a-kind turquoise jeweller in Sante Fe, New Mexico.

Drew Hayden Taylor brushes up his fashion skills as he jumps into the world of indigenous fashion with a series of the hottest young designers, as well as a one-of-a-kind turquoise jeweller in Sante Fe, New Mexico.

Drew Hayden Taylor brushes up his fashion skills as he jumps into the world of indigenous fashion with a series of the hottest young designers, as well as a one-of-a-kind turquoise jeweller in Sante Fe, New Mexico.

Drew Hayden Taylor brushes up his fashion skills as he jumps into the world of indigenous fashion with a series of the hottest young designers, as well as a one-of-a-kind turquoise jeweller in Sante Fe, New Mexico.

Drew enters the fascinating world of contemporary Native art. A life-sized whale made out of plastic lawn furniture? Inuit wall murals in Canada's biggest city? Movie posters with an indigenous spin? West Coast art combined with graffiti?

Drew enters the fascinating world of contemporary Native art. A life-sized whale made out of plastic lawn furniture? Inuit wall murals in Canada's biggest city? Movie posters with an indigenous spin? West Coast art combined with graffiti?

Drew enters the fascinating world of contemporary Native art. A life-sized whale made out of plastic lawn furniture? Inuit wall murals in Canada's biggest city? Movie posters with an indigenous spin? West Coast art combined with graffiti?

Drew enters the fascinating world of contemporary Native art. A life-sized whale made out of plastic lawn furniture? Inuit wall murals in Canada's biggest city? Movie posters with an indigenous spin? West Coast art combined with graffiti?

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

Drew meets the people that are reinventing capitalism on Native terms. He visits Canada's newest urban reserve, meets a Metis sash maker drawing his inspiration and works from indigenous South Americans, and witnesses how Aboriginal venture capital is opening doors.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.

From an incredible "Spotted Lake" in British Columbia to a sacred waterfall in Washington State, Drew explores the people, ideas, and hallowed spaces linked to Aboriginal spirituality.